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menu skip to content home news research annual report ph.d. research phd candidates amani alsaad becalelis brodskis paul finnegan rupert allan guy edmonds amanda egbe tim crabtree agatha haines jane hutchinson abigail jackson jacqui knight len massey julie richardson nick peres eugenia stamboliev jason stansbie cv book reviews james sweeting kyoko tadaoka contributing researchers convenors professor dr. michael punt cv papers and publications films light images dr. martha blassnigg martha blassnigg 08.09.69 – 27.09.15 cv dr. martha blassnigg – papers and publications dr. martha blassnigg – teaching interests dr. martha blassnigg – research dr. martha blassnigg – personal dr anna walker dr jon rae marcy da silva saude dr. hannah drayson dr edith doove dr. taslima begum dr. rita cachão araceli de anda gonzález cv dr. joanna griffin publications, presentations, exhibitions dr. madalena grimaldi dr. coral houtman johanna ickert jim laukes dr. claudia loch dr. kieran lyons cv dr. yutaka nakamura dr. claudy op den kamp dr. marcio rocha dr. stephen thompson dr. john vines dr. martyn woodward dr. brigitta zics dr. jonathan zilberg research projects established researcher development group intr intr – wiki off the lip ttirol ttirol – annotated bibliography research seminars seminar series 2017/18 panel 1: ideoplastic landscapes: representing and disrupting cultural memory. panel 2: ideoplasticity and the problem of felicitous falsehoods. panel 3: interaction, experience and the ideoplastic. panel 4: ideoplasticity, narrative and healing. seminar series 2016/17 seminar series 2015/16 ephemeral affections: the elusive object: imagination, abstraction and dreams of utopia seminar series 2014/15 setting the scene: latour, jameson, ihde and bergson the hypnotic image: between named emotion and affect edenic technologies: machines of innocence and oblivion instrumental recirculation: simulating health ? the very idea! technophillia: technologies for the corrupted body the opaque lens: affect and subversion in media practices acetic image: technologies of disavowal facts, concerns and topics: transdisciplinarity and the provisional ‘real’ seminar series 2013/14 an introduction an archaeology of darwin’s ‘tree of life’: mark-making, imagination and becoming the harmonic perception of the contrasting colours degrees of lustre: an experimental taxonomy of manifestations, marvels and mischwesen cyber-performatives: the cogni-cyber-performative nature of puppetry and ventriloquism and the human interaction with artefacts ontologies of the moving image: from paper prints to flipbooks the antinomies of realism the impossibility of saying the event ‘real space’ revisited – diagram as space seminar series 2012/13 cinema, film, experience: deep history, contingency and the sublime objects, subjects and objectivity: objectivity, divination and the sublime practices of inscription and recollection hope and reality in artificial intelligence (marcio rocha); this is not a test: undecidability in-between machines (robert jackson) a bewildering confusion of line: some deep-time aspects of modern visual style mediating the infinite object advertising the sublime categories of partial knowledge seminar series 2011/12 on translation translation, space technology and representation metaphor as translation (or the cherry on the cake for human cognition) space, the sublime and precognition intuition and creative practice: from a material to an immaterial approach considering intuition in the context of design, and of psychology being through painting and weaving: a brief commentary on intuition (an artistic diversion from writing) on deep history and the sublime: a brief introduction seminar series 2010/11 mnemosyne atlas research materials seminar series 2009/2010 thought beyond thinking: aesthetic force scientific film: filming science technology, exchange and flow ethnographic imaging real space designing the invisible: speculating the immaterial in the material reel laws seminar series 2008/09 introduction to the theme, its origins, context and relevance matter and flow in interaction: the mind cupola as a case study emergent technology and the ageing mind the role of practice instrumental cognition toward a method for a ‘nameless science’ pervasive memory the art of survival: drawing lines of power / bio-electromagnetism and multi-sensory experience seminar series 2007/2008 seminar series 2006/2007 seminar series 2005/2006 indicative topic: history indicative topic: technology indicative topic: knowledge indicative topic: self cinema, consciousness: screen and mind reading table publications recent publications 2014/15 2012/13 2011 2010 2009 2008 leonardo reviews l|r|q – leonardo reviews quarterly reader transtechnology reader 2012/13 transtechnology reader 2011/12 transtechnology reader 2010 convenors: prof. dr. michael punt – [email protected] dr. hannah drayson – [email protected] dr. martha blassnigg – 08.09.69 – 27.09.15 , room b321 portland square, university of plymouth, drake circus, plymouth, pl4 8aa. is a transdisciplinary research group situated in the faculty of arts and humanities. its constituency is drawn from historians, philosophers, anthropologists, artists and designers and is led from a historical and theoretical perspective with the objective of understanding science and technology as a manifestation of a range of human desires and cultural imperatives. its aim is to provide a doctoral and post-doctoral environment for researchers who need to undertake academic research informed by their own and others creative practice. its overarching research project concerns the historical and philosophical aspects of science and technology and the popular arts. the key objective is to understand the significance of creative agency in the process of technology acquiring meaning both before, and after, it enters into the public domain. using a range of practice and theory based methods, the group is concerned to make apparent evidence of human desire and cultural imperatives as they are manifested in the way that science and technology is practiced, innovated by entrepreneurs and interpreted by its users. topics currently being researched concern: – the historical and philosophical aspects of media and digital technology – early cinema and the technological imaginary – cognitive aspects of audio-visual media and design – affective interaction and instrumentation – representation and the sublime – experimental, advertising and amateur film practice – the cultural significance of space exploration – intellectual property and creativity – theoretical and practical aspects of holistic science – transdisciplinary methodologies in the arts, sciences and humanities in this context led a three year research project funded under the hera jrp call ‘humanities as a source of creativity and innovation’ in collaboration with the vu university, amsterdam, the university of applied arts, vienna, the eye film institute netherlands and the netherlands institute for sound and vision. it also currently holds doctoral and post-doctoral research grants from uk, eu, brazilian and portuguese research councils. is a constituent member of the cognition institute at plymouth university (http://cognition.plymouth.ac.uk/), involving a wide consortium of researchers with international recognition in the areas of cognitive science, cognitive neuroscience, computational neuroscience, cognitive robotics, cognitive development and behavioural change in psychology, creative arts and humanities. also hosts the uk editorial office of leonardo and the international office of leonardo reviews and leonardo reviews quarterly (http://www.leonardo.info/). it has recently launched the : open access papers , a series of peer-reviewed open access papers and image-essays arising from doctoral and post-doctoral research, funded projects and international research collaborations at , plymouth univer

URL analysis for trans-techresearch.net

http://www.trans-techresearch.net/research/phd-research/phd-candidates/jason-stansbie/cv/
http://www.trans-techresearch.net/research/phd-research/phd-candidates/james-sweeting/
http://www.trans-techresearch.net/research/research-seminars/transtechnology-research-seminar-series-200809/the-role-of-practice/
http://www.trans-techresearch.net/research/contributing-researchers/dr-jonathan-zilberg/
http://www.trans-techresearch.net/publications/transtechnology-research-reader/transtechnology-reader-2010/
http://www.trans-techresearch.net/research/contributing-researchers/dr-taslima-begum/
http://www.trans-techresearch.net/research/research-seminars/transtechnology-research-seminar-series-201415/technophillia-technologies-for-the-corrupted-body/
http://www.trans-techresearch.net/research/research-seminars/transtechnology-research-seminar-series-200809/emergent-technology-and-the-ageing-mind/
http://www.trans-techresearch.net/research/contributing-researchers/convenors/professor-dr-michael-punt/light-images/
http://www.trans-techresearch.net/research/research-seminars/transtechnology-research-seminar-series-201213/cinema-film-experience-deep-history-contingency-and-the-sublime/
http://www.trans-techresearch.net/research/research-seminars/transtechnology-research-seminar-series-201213/mediating-the-infinite-object/
http://www.trans-techresearch.net/research/research-seminars/transtechnology-research-seminar-series-200809/introduction-to-the-theme-its-origins-context-and-relevance/
http://www.trans-techresearch.net/research/research-seminars/transtechnology-research-seminar-series-201112/on-deep-history-and-the-sublime-a-brief-introduction/
http://www.trans-techresearch.net/research/research-seminars/transtechnology-research-seminar-series-201213/
http://www.trans-techresearch.net/research/research-seminars/transtechnology-research-seminar-series-200809/instrumental-cognition/

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